The Torbay Drama Festival
Entries for Drama are now closed
DRAMA SECTION 2026
DATES
7th to 9th May, 2026 inclusive
The committee reserves the right to change any of the dates.
OPENING AND CLOSING DATE FOR ENTRIES
Entries open on 1st February, 2026, and close on 31st March, 2026.
VENUE
Palace Theatre, Palace Avenue,
Paignton TQ3 3HF
Box Office: 01803 665800
Drama Committee
Drama Chair:
Linda Lear
6 Thorne Park Road,
Torquay TQ2 6RX
T. 01803 607672
M. 07971 421043
Jennifer Bald
Andante, Cricketfield Road,
Torquay TQ2 7NP
T. 01803 324114
M. 07773 660035
Drama Committee
Delia Bowman, Heidi Pyburn (BSA, MA, LAMDA Coach and Examiner), Carolyne Clark, Catherine Serjeant and Polly Ferguson-Carruthers
THEATRE ADMISSION TICKETS AND PROGRAMMES 2026
The Committee and/or Theatre Staff reserve the right to refuse entry.
| Session Ticket | £6.50 | Concessions (Seniors) | £5.50 |
| Daily Ticket | £13.00 | Concessions (Seniors) | £11.00 |
This Festival does not charge children for entry to the auditorium. Children must be accompanied at all times and parents/guardians/carers are reminded of their responsibility under our Safeguarding Policy in this respect.
SUPPLEMENTARY RULES FOR DRAMA
Supplementary Rules for Drama November 2025
S1. The Torbay and South West of England Festival has entered into an agreement with the
Authors’ Licensing and Collecting Society. This means that entrants do not have to seek copyright permission for any poetry, prose or solo dramatic items* performed to a time limit of 10 minutes.
Performers and teachers will be delighted to know that their participation in this Festival means that authors will be directly reimbursed as a consequence of their works being performed at this Festival.
Drama duologues and group dramatic activity are not covered by this agreement, and copyright permission for these items should be sought by performers at the time of entry.
*Please note: dramatic items must be announced with title and author at the time of performance to qualify for copyright indemnity, and the performer must not change the words or gender of the character.
S2. Competitors may enter classes for a higher age group. The entry fee for these classes applies, not the age of the competitor.
S3. Choral Speaking groups must not number fewer than 10 persons.
S4. When submitting entry forms the title and author of own choice pieces must be clearly stated for inclusion in the programme. Where this rule is not complied with the entry becomes void.
S5. Competitors in own choice classes must not offer items with which they have won any class at this Festival in the previous three years.
S6. None of the set poems for the current year may be used as own choice pieces.
S7. No competitor may enter more than once in any solo class. In other classes multiple entries are permitted as long as the individual competes with a different partner(s).
S8. Teachers will be sent a programme as soon as possible after the closing date, which will indicate the approximate time for each class. Private entrants will receive a class card. Performers and other interested parties are requested to be in the auditorium at least 20 minutes before the time for their class to allow for the programme running early.
S9. Free entrance is granted to adult competitors only during the session in which they are performing. Teachers who have entered students into the Festival will receive a Teachers’ Pass. Parents and other interested parties are not entitled to be admitted without a valid ticket.
S10. Copies of own choice pieces (including lyrics for Musical Theatre classes) should be submitted at the Welcome desk at least 30 minutes before the class is scheduled. Those who fail to produce a copy for the Adjudicator may be penalised. All copies must have the competitor’s name, class number, and entry number in the class clearly stated.
S11. Original material: a full written copy must be submitted to the steward as per rule S10. It must be original and the candidate’s own work. Marks awarded will reflect content, literary style and presentation appropriate to the age group.
S12. Performers should let us know at the time of entry whether material that may give offence (subject matter, strong language, etc) is to be used, so that the class may be appropriately programmed and the audience advised.
S13. Any entry exceeding the time limit set for performance will either have marks deducted, be terminated, or be made void, at the discretion of the Adjudicator. Candidates may, if they wish, offer a short introduction to set the scene, which will not be included in the time limit.
S14. In drama classes, reading of lines, either on or off stage, is not acceptable without a valid reason being given, either to the committee or the Adjudicator’s steward, in advance of the class.
S15. Costume and properties: costumes must not be worn in any class. In drama classes, long practice skirts, which give freedom of movement, may be used, together with small items such as scarves, hats, shawls, gloves, canes, etc. Tables, chairs and hand props are permitted.
S16. Cups, trophies and awards will be presented to winners (where there is a cup/trophy/award earmarked and available for that class). NB the cup/trophy/award is only on loan to the recipient for the next ten months and must be returned to the cup secretary as outlined in the letter the winner receives on presentation. Gold medals will be awarded to the winners of all solo and duologue classes. Silver (second place) and bronze (third place) will be awarded in those classes with four or more performers. Cups, trophies and medals will be awarded at the end of each class.
S17. Certificates and Adjudication sheets will be available approximately 15 minutes after the adjudication of each class. These must be collected during the Drama section of the Festival. Those remaining will be destroyed unless a stamped, addressed envelope has been provided.
S18 Music for Musical Theatre performances may be played on the day via an individual teacher, parent or student’s own phone and portable speaker (placed on the stage or on Cup table or near the front row) or laptop. Mobile phone backing tracks can also be plugged in to play through the theatre’s sound system by trained theatre staff. MP3 files on a ‘stick’ can also be played by theatre staff through the theatre system using the Festival’s laptop. Each performer will be allowed a brief sound check to ensure the track works and is at the correct volume, before they begin.
N.B. For the smooth running of the performance, please would teachers/parents/competitors ensure that if using the theatre sound system, theatre staff are provided with clearly written/typed instructions as to when to cue the music (i.e. a lead in line of dialogue and action/position on stage of performer(s)).
S19. Filmed Recordings – Television News reading Classes:
- Recordings should be filmed in landscape orientation.
- Recordings should be uploaded to YouTube by performers or their parents / teachers.
- YouTube links should be sent to lindalear20@outlook.com by 31 March, 2025. Any links missing after this time will invalidate the entry and refunds will not be given.
- All performances must be submitted by video recording via your own personal YouTube profile. If you do not have one of these, you will need to create one or upload from the teacher’s YouTube profile.
- All YouTube performances should be ‘unlisted’, which means that they do not show up on a search, and therefore cannot be viewed by the general public. This means that they can only be viewed by people who have the link.
- You can remove your video from YouTube at the end of the Festival.
S20. All communications should be sent to the Drama Chair: Linda Lear, 6 Thorne Park Road, Torquay TQ2 6RX – or email lindalear20@outlook.com
ACTION AND GESTURE IN VERSE SPEAKING
The Adjudicators’ Council of the British & International Federation of Festivals has endorsed the following statement with regard to the use of action and gesture in verse speaking:
‘Illustrative actions and movement rarely ever enhance a performance. However, gesture that adds understanding, appreciation and an emotional response to the interpretation of the text is not only acceptable but welcome. It is being selective and discerning in the use of gesture that is so often the issue in enhancing the successful performance.’
BACKING MUSIC
A musical backing is optional in Choral Speaking and all own choice poetry and prose classes.
DRAMA FESTIVAL NEWS
Adjudicator Profile:
Jean-Marc Perret LAMDA Actors’/Teachers’ Diploma 1996
Jean-Marc trained at Elmhurst Ballet School, London Studio Centre and at the Bristol Old Vic Theatre School.
He attended the Royal Academy of Dance achieving Elementary and ARAD status in Ballet; ISTD Elementary Tap and Modern Dance as well Cecchetti at Intermediate level. Honours achieved in all Flamenco dance exams taken with Sociedad de Baile Espaňol. In 1989 Jean-Marc was selected to perform at the prestigious Genée Awards at the London Palladium under the auspices of David Wall CBE former principal dancer of The Royal Ballet and later performed with Images of Dance Company in London
under the direction of former Royal Ballet principal Margaret Barbieri. Following this, Jean-Marc modelled for the celebrated fashion designer Vivienne Westwood performing in the prestigious British Fashion Awards.
Upon graduating from Bristol Old Vic Theatre School, Jean-Marc worked for BBC Radio Drama and then played a principal role in the successful No: 1 UK musical tour of the hit BBC TV series The Demon Headmaster published by Samuel French Ltd.
Main theatre credits as an actor include notable roles at the Royal Shakespeare Company, Manchester Royal Exchange, Birmingham Rep, Chichester Festival Theatre, Derby Playhouse and West Yorkshire Playhouse.
Numerous TV & Film appearances notably playing Prince Caspian in the successful BBC BAFTA nominated and award winning series The Lion, The Witch and The Wardrobe and Revelation (Romulus Films) with Oscar nominee actor Terence Stamp and Oscar winner Ron Moody. In 2016 Jean-Marc secured a Personal Manager in Los Angeles and made appearances in This Is Us (Season 2) for NBC as well as the US series American Woman (Warner Bros). In addition, he worked on America’s Got Talent 2017 and attended the 2017 Oscars ceremony both at The Dolby Theatre in Hollywood.
Jean-Marc teaches pupils on a peripatetic basis and is an online public speaking tutor and speech writer for leading international schools in Beijing and Shanghai. In 2020, Jean-Marc facilitated a pupil / teacher online training programme set up through Master Minds Studio in Shanghai with the aim of providing quality training in Drama and Communication subjects. Jean-Marc now leads all advanced level Public Speaking exam preparation training for Dreamaker Drama Academy in Beijing and Shanghai.
He previously examined for London College of Music for 5yrs, LAMDA for 10yrs and Trinity College, London for 2yrs.
Alongside these commitments, Jean-Marc trained as a certified British Academy of Dramatic Combat fight instructor both choreographing and performing in sword fights. Fight credits include Disney’s blockbuster film Cinderella (2015); playing D’Artagnan for the London red carpet film premiere event for The Three Musketeers (2011) which starred Orlando Bloom and Christoph Waltz. In March 2020, Jean-Marc was part of a world-class exhibition event involving Great Britain and Hungarian Olympic fencers who were in the midst of their training for the Tokyo Olympics.
Jean-Marc has adjudicated at numerous festivals across the UK and overseas and enjoys providing encouraging feedback to performers of all ages specialising in Speech & Drama, Musical Theatre and Dance disciplines.
NEW CLASSES for 2026
Television Newsreader Duologues
Class TNR3 11 years and under. Entry fee £12
Two to four topics such as current affairs, sport, fashion, celebrities, weather, local news etc. Time limit 5 mins.
Class TNR4 12 to 18 years. Entry fee £12
Two to four topics such as current affairs, sport, fashion, celebrities, weather, local news etc. Time limit 5 mins.